They ask how can you so gracefully flip modes from one style to the next. My answer is you do the same thing … the one thing I liked about Rudy Ray Moore a.k.a. Dolamite is his work ethic, he was only being himself. I think thats what we all do and so graceful with it. You have to be in the love of the all to accept the many sides of your heart. Its freedom to just be and live as you want. And do what you want to do when you feel like it.
R.I.P. to Dolamite:
Moore, who was raised in his birthplace of Fort Smith, Arkansas, as well as Cleveland, Ohio, began his entertainment career as an R & B singer and continued singing through his comedy career. He developed an interest in comedy in the Army after expanding on a singing performance for other servicemen. Rudy Ray Moore released many comedy records throughout the 1960s and 1970s, developing a rude and explicit style similar to Redd Foxx and Richard Pryor. This kept him off of television and major films, but cultivated an enduring fan base.
He appeared on Big Daddy Kane’s 1990 album Taste of Chocolate and 2 Live Crew’s 1994 album Back at Your Ass for the Nine-4.
In 2000, Moore starred in Big Money Hustlas, a movie created by and starring the Insane Clown Posse, in which he played Dolemite for the first time in over 20 years.
In 2008, Moore reprised the character Petey Wheatstraw for the song “I Live For The Funk” featuring Blowfly and Daniel Jordan. This marked the first time Blowfly and Rudy have collaborated on the same record together and the 30 year anniversary of the movie Petey Wheatstraw, and was also the final recording Rudy made before his death.
On October 19, 2008, Moore died of complications from diabetes.
THE UNLOCKING by ursula rucker from tHE roots Do You Want More Album!!!!!!
* phone dialed and rings *
 Yo who dis?
 Yo this [edited]
 Yo whattup man?
 Yo whassup dude?
 This is the Black Ill
 Oh whassup G?
 Y’know, yo
 We down in the studio yo
 Yo we got a jawn
 Yo, is she live?
 Yeah she’s live
 Sup wit her?
 She’s just, real nice to talk
Sometimes I used to knock off
 Word how she be swingin?
 Oh yeah she’s swingin like that y’know it’s on!
 Oh WORD?
 I called a couple other heads and shit y’know
 Aight, who else who else – who else widdit?
 I mean she widdit LIKE THAT?
 Yeah you know!
 Ain’t no bullshit?
 The whole Resevoir Dog squad n shit, we gon’ be eight deep
 Oh aight, word
 So come on down, it’s on yo
 Aiyyo it’s it’s it’s just us?
 Yeah it’s just us
 Oh damn, whassup with some more jawns?
 Oh yes.. it’s just her and some weed y’knowmsayin?
Fuck some other shit
 Fukkit, aight, bet, what the..
Y’know whassup for real for real
 Word, yo so come through
 Aight what time yo?
 Like NOW?
 Yeah, come through now!
I the voyeur, peer, as she begins her, ritual
Paying sexual ties for few and untrue
Words of admiration, translation:
sucker ass, lines, of trash
Spewing from First One’s unskilled lips
That beg for pussy tricks that make his dick go quickly limp
She pimps her innocence as Second One demands entrance
through the back door..
“Bend over bitch, you know this is what you were born for;
to dig those soft and lotioned knees into the floor —
and take it in, that sweetly spread ass like a real pro whore”
Her subsequent screams seemed to praise
Sent messages of pleasure and pain to his fuck tainted brain
But her screams masked laughs at his dumb ass
As he quicker comes, then Third and Fourth One just as dumb
Invite themselves to join in
Third One wants to hit the skins old-fashioned style
while Fourth One says,
“Don’t she got some DSL’s, make a nigga joint just swell,
to think? I wanna sink my inches, into that bitch’s,
So one goes North, the other South
To sanctified places where in-house spirits
will later wash away all traces, of their ill-spoken words
and complacent faces
And then, like their Minutemen, predecessors
Lude, aggrandized sexual endeavors, end up rough
Cause neither one of them could keep that weak shit up
Corrupt, Fifth One steps to her
Hip-Hop clothed just to, think he gonna impress her
“Hey Slim, I heard you was a spinna — sit on up
top this thing, black dick, and work it like a winner”
With the quickness he got his pseudo-thickness all up in her
But suddenly he, stops mid thrust
*Yvette Smalls’ pager goes off*
Seems she nameless to cuz, got his stuff in a death cunt clutch
He fast falls from the force of her tight pussy punch
Just like the rest of that sorry ass bunch
Now here comes Six ready to add his inactive shit to the mix
Talkin smack at that
Saying, “Girl, I’ma wax that ass, and stick that slit so hard,
you gonna be calling me God”
So he proceeds to poke and prod
with clumsy finger and wack sex slinger
“Condoms make me last longer,” wrong, cause her
motions of snatch, however detached from the situation
cause his pre pre PRE-ejaculation
It seems she just wastin
good pussy and time on dudes like Number Seven
who ain’t learned their lesson
He wants to enter the flesh divine
by dropping a kind of semi-sweet line
“Your honey hole so fine and mile deep; I’m gonna leap
into you like an ocean do you right and make your head spin”
So he jumped in and then, he drowned
Got lost and found in her Tart Canal
Slave to the waves, made him cum for days
Eighth and last One turn arise
Plys her with familiar lies
Even more familiar still, cause
him she used to love
But he never could quite see above, her mound
A pound of flesh is all she was, no name no face or even voice
So poised, she rises — Phoenix from the flame
Finally bored with their feeble fuck games
She smooth reaches behind her and takes straight aim
at eight shriveled up cocks with a fully loaded Glock
Parts lips, not expressly made for milding dicks
and then, she speaks:
Your shreiks of horror bring me bliss, I must admit
The thought that I could shred your tips with eight quick flips
excites me, see y’all fuck with the pussy
but I fuck with your minds
Lack of soul and respect is the crime
This.. was a set up.. now tell me what….. what’s my name?
* gun cocks *